Colour play – Winsor and Newton designer gouache

September 10, 2017March 19, 2018Leave a comment

Hi,
So as mentioned before, I get serious creative blocks ATM and end up procrastinating around them rather then trying to start a painting. HOWEVER! I have tried to make them useful for a future where I am painting more again and have been creating colour charts for my different paint sets. I currently have a selection of tubes and pans from the Winsor and Newton Cotman range, as well as the Winsor and Newton designer gouache set of 10 colours. I also have a 48 watercolour pan set from Sennelier which I needed to test out fully. It’s a beautiful set and I mainly went on colour instinct when I was choosing my colours from it, which seems like quite a waste. To better plan my paintings I wanted to have a good overview of how the colours mixed with each other and doing a full colour chart looked like the best way to do this.

I am halfway through the watercolour charts but I have finished the gouache one which I’m posting here ( mistakes and all!)
I really like this set as you get such a vibrant range of colours but can easily tone them down. I used this set for my first attempts at plein air painting in 2016 and again at Gelts woods ( which you can see here. They were good as gouache can easily be layered and highlights can be added in later, which eased some of my nerves and allowed me to just have fun with sloshing paint around!)

Winsor and Newton designer gouache colour palette

Within this set you get

Zinc white
Primary yellow
Permanent yellow deep
Yellow ochre
Spectrum red
Primary red
Permanent green middle
Primary blue
Ultramarine
Ivory black

The primary colours they developed mixed nicely with each other greeting these beautiful clean colours. I have tried all the other combinations yet but you can see that mixing Ultramarine with primary red still makes a strong clean violet. You can create some nice olive greens with ivory black and primary yellow or Ultramarine blue. Mixing all the colours with the zinc white produces some lovely pastel colours as well. Using these on coloured paper would look beautiful.
I have also used this set to create a gift box for my niece and the colours painted beautifully onto a hobby craft cardboard gift box and dried nicely. As you can see, she’s rather fond of the trolls movie and anything colourful so these paints were perfect!

Preparing to go charcoal location sketching

September 9, 2017Leave a comment

I'm preparing to go into the Lake District again and try sketching with charcoal instead of watercolours. Limiting myself to just figuring out composition and tonal values will be good practice for me! The forecast is clouds, sunshine and rain so there should be some dramatic lighting for the day as the sun comes out and it's something the Lake District captures really nicely!
My main concern is that I rarely use charcoal as a medium and I tend to over to it and get muddy values as I try to building up textures…
So as it's the night before, I'm going to get some practice in and then just give it a go tomorrow. The worst case scenario is I don't like my pictures but it'll still be a good learning experience! Plus, messy techniques are always really satisfying!!

I used charcoal pencils, a range of rubbers and some blue pastel for these sketches. I also put a wash on a couple of pieces of cartridge paper and tried a few scenes on them which worked nice but I found it kill some of the highlights that would have made the pictures come alive.

Derwentwater plein air – First attempts

September 8, 2017Leave a comment

I've mentioned before that I recently moved to Cumbria in England. This has given my spirit an excellence burst of inspiration and energy and has allowed some of my creativity to come out. I'm still making lots of colour charts ( I'll show you my most recent one in another post shortly!) but I'm also getting outdoors while the weather permits and doing some sketching with watercolours.
I visited Derwentwater recently ( home to the Derwent sketching pencils, I did visit the museum and their shop but I didn't buy more pencils…I have to use the ones I've got already before I allow myself to buy even more!) and here are some of the sketches I managed on the day. I'm really pleased with the day's outcome and felt that I've taken a solid step forward to where I want to be as an artist with this.

This is the palette I put together for my outing

Lemon yellow
Cadmium yellow
Yellow ochre
Burnt sienna
Van Dyke Brown
French Ultramarine
Cerulean
Quinacridone magenta
Cadmium red
Sap green
Hookers green light
Payne grey
Ivory black

I felt that I mainly ended up using lemon yellow and yellow ochre mixed with all the combinations of the blues and greens to figure out the greens. Payne grey was my favourite for the clouds and water with cerulean for the sky. Having the readymade brown was handy to have, since I was using a very small mixing tray. I tested the colbalt turquoise but felt that cerulean and the Ultramarine were enough of a range for the palette

This is the colour range that I got from the set, I wanted a big range of greens from earthy to lush but not too many blue-greens as I know that I would mainly be trying to capture the forests and shrub land on the mountains. Very limited purples too which was fine as the heather isn't out yet. I also totally stopped round say greens name when I was labelling, oops!

On to the sketches! I warmed up with some pencil sketches before just sloshing paint about for the rest of the day.

I feel that I need more practice with my tonal values and compositions as I set up my sketches but I'm still really pleased with these ones and happy to share them with you all. If you've visited Derwentwater and did any sketches, post a like in the comments so I can see your stuff!

QUAD Digital Participation Course 2015

August 3, 2016July 24, 2016Leave a comment

As I write this blog post, the digital participation course that has set me on this fantastic digital journey is coming to an end. Although the structured workshops will be stopping, the support from QUAD will still be there as we continue to explore and develop our creative practice.

The course has been developed and was delivered by Derby QUAD in partnership with local and national arts and cultural organisations, such as FACT, First Movement, Pervasive Media Studio at Watershed and TATE Britain.

On Monday the 16th we all took our work to London to the TATE Britain‘s digital studio to present at a show and tell event they hosted. This was an incredible opportunity and we had a fantastic day with the support of Luca and the teams from the Tate. I wanted to explore with them the possibilities when incorporating participation into the live digital drawing process of an artist. Instead of passively watching the artist work, the viewers are able to engage and direct the work and become a resource for the artist just as the artist becomes a tool to create with for the viewer.

The aim of the course was to help artists develop their creative practice by learning about new technology and participation skills and how this can enhance their work. The key element here was not to change their practice to purely digital or to add bells and whistles for the hell of it, but to use technology in an informed way to move their work forward and to help viewers engage with their work in new ways.

My creative practice comes from traditional drawing/painting skills, using traditional and digital media to create artworks for print or web-based use. I wanted to explore more about getting these 2D images out into the world for people to interact with, not just look at.

I had always wanted to do workshops but lacked the confidence to give it a go. Well, through the course i was able to run my own workshops as well as support other artists through a range of different activities and this has then given me the confidence to now organise and run my own workshops.I have since created workshops that incorporated drawing and creating with 3d printing, ipad drawing, and photography.

Watercolour Architecture – Using digital software to plan a traditional painting

July 31, 2016October 11, 2016Leave a comment

As an artist, i’m happy to use any tools that help me create my artistic vision. Over the centuries artists have been pretty amazing at creating simple tools to translate the incredibly complex world around them. The viewfinder is a perfect example of this, as is the plumbline: a rectangle with a hole in it and a piece of string with a weight on the end. Awesome.

But, the user still needs to understand the proces of using these simplistic tools. If you don’t understand the idea of negative shapes or how to find a good composition, a viewfinder is not going to make you an artist. It’ll make you into someone looking at the world through the hole in a rectangle.

Digital tools come under this same class for me, although I appreciate they are more complicated to work at times then the trusty viewfinder. For my most recent paintings of Kedleston Hall I wanted to focus on the architecture and how light plays off the different planes of the building. I didn’t want to just draw a fancy house, I wanted to add my own creative flair and vision to what I saw.
So, I kept my colour palette simple. Like, really simple. Three colours in total to create each painting, which would keep things nice and harmonious so I could concentrate on the interesting compositions instead.

In photoshop I adjusted a reference photo to play with tonal contrast and composition, the best way I find to do this is when it’s in black and white. Then I go back to the original photo and play around with colour. This helps me visualise lots of different combinations. Doing it digitally like this is a lot faster then trying to do it with traditional mediums, plus I can tweak them cleanly. The last image above has been pixelated so its easier to focus purely on the range of colours and no the compositions details.

Once I have my colours sorted, I can then choose which colours to have in my palette. From there I do a small mock up to help me figure out the best way to apply them and to get me used to mixing the colours. Then, when I come to create the final painting, i’ve already done all my prep so a lot of the stress has been taken away and I can relax and enjoy the painting process.

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On Being scared to sketch

July 24, 2016July 24, 2016Leave a comment

I think this predicament is common and that it’s something that many professional and hobby artists deal with and that yes, it does get easier in time but not with age (as we know when watching children sketch…They’re so darn carefree!). Something I have been dealing with for a long time is why, even though I love art and get inspired by nature and constantly look at other artworks and read various art books, I don’t draw and paint half as much as I should. Why all the procrastination? Why all the anxiety and fear at the beginning? What’s the deal brain, I thought this was what you wanted to do!

Silly brain…I think it’s just overwhlemed. By inadvertantly putting pressure on what i’m about to produce, my vision and thoughts that i’m going to capture by drawing, by judging it before i’ve even made a mark….I create a dream artwork before the real artwork even has a chance to begin to create itself and it will never match up to all the half formed ideas that are in my head, merging together.

I think the best thing to do when you’re scared to even start to sketch is to stop thinking of it as a finished piece of artwork and think of it as an exploratory journey. What am I looking at? What an interesting leaf! The way there is a rhythm going through all the branches is relaxing to look at, how does it look if I try to capture it with these kind of marks. Hm, not so good, i’ll make a note of that and remember it for the next sketch I do. How big are these leaves compared to the ones in the background? How will my mark-making change? How much space do they take up compared to the foreground leaves?

Knowing different drawing techniques is still a must, but sometimes we forget that they’re just advice to help us, things people have learnt in the past through trial and error and have passed along as a good way of achieving a particular task. As an artist, you’re allowed to have your own trial and errors and to find your own way of capturing things that you’ve discovered on your own exploratory journeys. The creative jumps and experiments that you make based on your own tastes and judgements help to create new processes.

So don’t be scared to start sketching, there isn’t a need for fear or anxiety here, just curiousity and a desire for discovery. Plus, you don’t have to show anyone if you don’t want to but it can fun to chat about your discoveries and errors with other artists. Share the journey you’re both on and laugh at things that didn’t go quite right but look kinda funny now…

Walk Draw Explore

Tag: exploring