Derwentwater plein air – First attempts

I've mentioned before that I recently moved to Cumbria in England. This has given my spirit an excellence burst of inspiration and energy and has allowed some of my creativity to come out. I'm still making lots of colour charts ( I'll show you my most recent one in another post shortly!) but I'm also getting outdoors while the weather permits and doing some sketching with watercolours.
I visited Derwentwater recently ( home to the Derwent sketching pencils, I did visit the museum and their shop but I didn't buy more pencils…I have to use the ones I've got already before I allow myself to buy even more!) and here are some of the sketches I managed on the day. I'm really pleased with the day's outcome and felt that I've taken a solid step forward to where I want to be as an artist with this.


This is the palette I put together for my outing

  • Lemon yellow
  • Cadmium yellow
  • Yellow ochre
  • Burnt sienna
  • Van Dyke Brown
  • French Ultramarine
  • Cerulean
  • Quinacridone magenta
  • Cadmium red
  • Sap green
  • Hookers green light
  • Payne grey
  • Ivory black

I felt that I mainly ended up using lemon yellow and yellow ochre mixed with all the combinations of the blues and greens to figure out the greens. Payne grey was my favourite for the clouds and water with cerulean for the sky. Having the readymade brown was handy to have, since I was using a very small mixing tray. I tested the colbalt turquoise but felt that cerulean and the Ultramarine were enough of a range for the palette

This is the colour range that I got from the set, I wanted a big range of greens from earthy to lush but not too many blue-greens as I know that I would mainly be trying to capture the forests and shrub land on the mountains. Very limited purples too which was fine as the heather isn't out yet. I also totally stopped round say greens name when I was labelling, oops!

On to the sketches! I warmed up with some pencil sketches before just sloshing paint about for the rest of the day.

I feel that I need more practice with my tonal values and compositions as I set up my sketches but I'm still really pleased with these ones and happy to share them with you all. If you've visited Derwentwater and did any sketches, post a like in the comments so I can see your stuff!

On Being scared to sketch

I think this predicament is common and that it’s something that many professional and hobby artists deal with and that yes, it does get easier in time but not with age (as we know when watching children sketch…They’re so darn carefree!). Something I have been dealing with for a long time is why, even though I love art and get inspired by nature and constantly look at other artworks and read various art books, I don’t draw and paint half as much as I should. Why all the procrastination? Why all the anxiety and fear at the beginning? What’s the deal brain, I thought this was what you wanted to do!

Silly brain…I think it’s just overwhlemed. By inadvertantly putting pressure on what i’m about to produce, my vision and thoughts that i’m going to capture by drawing, by judging it before i’ve even made a mark….I create a dream artwork before the real artwork even has a chance to begin to create itself and it will never match up to all the half formed ideas that are in my head, merging together.

I think the best thing to do when you’re scared to even start to sketch is to stop thinking of it as a finished piece of artwork and think of it as an exploratory journey. What am I looking at? What an interesting leaf! The way there is a rhythm going through all the branches is relaxing to look at, how does it look if I try to capture it with these kind of marks. Hm, not so good, i’ll make a note of that and remember it for the next sketch I do. How big are these leaves compared to the ones in the background? How will my mark-making change? How much space do they take up compared to the foreground leaves?

Knowing different drawing techniques is still a must, but sometimes we forget that they’re just advice to help us, things people have learnt in the past through trial and error and have passed along as a good way of achieving a particular task. As an artist, you’re allowed to have your own trial and errors and to find your own way of capturing things that you’ve discovered on your own exploratory journeys. The creative jumps and experiments that you make based on your own tastes and judgements help to create new processes.

So don’t be scared to start sketching, there isn’t a need for fear or anxiety here, just curiousity and a desire for discovery. Plus, you don’t have to show anyone if you don’t want to but it can fun to chat about your discoveries and errors with other artists. Share the journey you’re both on and laugh at things that didn’t go quite right but look kinda funny now…

Sketchbook-scared2-laura-mossop