Colour play – Winsor and Newton designer gouache

September 10, 2017March 19, 2018Leave a comment

Hi,
So as mentioned before, I get serious creative blocks ATM and end up procrastinating around them rather then trying to start a painting. HOWEVER! I have tried to make them useful for a future where I am painting more again and have been creating colour charts for my different paint sets. I currently have a selection of tubes and pans from the Winsor and Newton Cotman range, as well as the Winsor and Newton designer gouache set of 10 colours. I also have a 48 watercolour pan set from Sennelier which I needed to test out fully. It’s a beautiful set and I mainly went on colour instinct when I was choosing my colours from it, which seems like quite a waste. To better plan my paintings I wanted to have a good overview of how the colours mixed with each other and doing a full colour chart looked like the best way to do this.

I am halfway through the watercolour charts but I have finished the gouache one which I’m posting here ( mistakes and all!)
I really like this set as you get such a vibrant range of colours but can easily tone them down. I used this set for my first attempts at plein air painting in 2016 and again at Gelts woods ( which you can see here. They were good as gouache can easily be layered and highlights can be added in later, which eased some of my nerves and allowed me to just have fun with sloshing paint around!)

Winsor and Newton designer gouache colour palette

Within this set you get

Zinc white
Primary yellow
Permanent yellow deep
Yellow ochre
Spectrum red
Primary red
Permanent green middle
Primary blue
Ultramarine
Ivory black

The primary colours they developed mixed nicely with each other greeting these beautiful clean colours. I have tried all the other combinations yet but you can see that mixing Ultramarine with primary red still makes a strong clean violet. You can create some nice olive greens with ivory black and primary yellow or Ultramarine blue. Mixing all the colours with the zinc white produces some lovely pastel colours as well. Using these on coloured paper would look beautiful.
I have also used this set to create a gift box for my niece and the colours painted beautifully onto a hobby craft cardboard gift box and dried nicely. As you can see, she’s rather fond of the trolls movie and anything colourful so these paints were perfect!

Derwentwater plein air – First attempts

September 8, 2017Leave a comment

I've mentioned before that I recently moved to Cumbria in England. This has given my spirit an excellence burst of inspiration and energy and has allowed some of my creativity to come out. I'm still making lots of colour charts ( I'll show you my most recent one in another post shortly!) but I'm also getting outdoors while the weather permits and doing some sketching with watercolours.
I visited Derwentwater recently ( home to the Derwent sketching pencils, I did visit the museum and their shop but I didn't buy more pencils…I have to use the ones I've got already before I allow myself to buy even more!) and here are some of the sketches I managed on the day. I'm really pleased with the day's outcome and felt that I've taken a solid step forward to where I want to be as an artist with this.

This is the palette I put together for my outing

Lemon yellow
Cadmium yellow
Yellow ochre
Burnt sienna
Van Dyke Brown
French Ultramarine
Cerulean
Quinacridone magenta
Cadmium red
Sap green
Hookers green light
Payne grey
Ivory black

I felt that I mainly ended up using lemon yellow and yellow ochre mixed with all the combinations of the blues and greens to figure out the greens. Payne grey was my favourite for the clouds and water with cerulean for the sky. Having the readymade brown was handy to have, since I was using a very small mixing tray. I tested the colbalt turquoise but felt that cerulean and the Ultramarine were enough of a range for the palette

This is the colour range that I got from the set, I wanted a big range of greens from earthy to lush but not too many blue-greens as I know that I would mainly be trying to capture the forests and shrub land on the mountains. Very limited purples too which was fine as the heather isn't out yet. I also totally stopped round say greens name when I was labelling, oops!

On to the sketches! I warmed up with some pencil sketches before just sloshing paint about for the rest of the day.

I feel that I need more practice with my tonal values and compositions as I set up my sketches but I'm still really pleased with these ones and happy to share them with you all. If you've visited Derwentwater and did any sketches, post a like in the comments so I can see your stuff!

Getting out there

August 17, 2017Leave a comment

Turns out that working with Charcoal on large pieces of paper makes a lot of mess, which can be frowned upon when living with others.

So, my experiments didn’t last long but it was still good get my hand moving again and once I have a studio space set up again, I will continue my experimental mark making. In the meantime I have been getting out for walks in the Lake District and Northumberland.

I have included just a few sketches here. I mainly fell back to take photos as I explored new areas which was a lot quicker as I walked and gawped at things but didn’t help my practice that much. Plus my cameras pretty naff so the photos never do it justice.

Still I have managed a few blobby paintings as my first shaky steps back into things.

Starting Running

December 3, 2016Leave a comment

It is a crisp cold day outside and i’ve delayered myself into a hoodie and running trousers to get out there and run. Everyone I pass has layers and wooly hats and gloves and i’m bizzarely happy that I look so different. I see the smiles that play on their faces, wondering that someones actually going running in the cold like this and I remember my own thoughts when I saw people doing what i’m planning, something along the lines of “I could never do that!”

I met up with my friend and we managed a simple run around the park. I want to share this with you readers, as I want to explore it in more detail; namely the ways how it helps other aspects of my life like the drawing and mindfulness i’m trying to cultivate into my routine.

I’ve read before that many runners go into a meditative state, where they’re only mindful of their run and their body. It’s just them and the road. It always reminded me of the artist, it’s just them and their canvas. Both have to focus their mind and energies into achieving something that takes skill, patience, and focus.

As we start to run and my lungs begin to feel uncomfortable, it feels the same as when I get to the first stage of drawing when i’m not sure what to do next. It’s an uncomfortable tight feeling for me and my instinct is to stop what i’m doing to releave it. When you’re running, your mind has to stay focused to keep yourself moving, to look at the bigger picture and see that this will pass, you will get to the next stage which becomes easier once you’re warmed up. Breath, move, don’t over think things. Breath some more. Keep your focus. Keep your running pattern going. Breath.

For me, the artists actions would be something like breath, relax your thoughts, step back and look, breath and close your eyes, breath and take a look, breath and make a mark, breath and carry that mark forward, breath and look again. For me it doesn’t have to be a flurry of movement and energy although that is fun as well if you’re not feeling stuck and inspiration is racing through you. Trying to stay focused and allow your minds instinct to have the room to direct your vision and marks is something i’m struggling with allowing myself at the moment. I will continue to try different techniques to help quieten my over-thinking when i’m creating. I’ll keep you all posted with how it goes!

Watercolour : Learning to be a beginner again

November 24, 2016November 26, 20161 Comment

I want to share with you an experience that might be familiar to you if you’re just starting to painting or coming back to it. I like drawing and painting because of what creatives call ‘the zone’ where their attention is solely focused on what they’re creating, not the outside world. So this may not really be a typical meditation but I think it’s a close relation and it’s something I want much more of in my routine to help combat anxiety.

To help clear my thoughts and calm myself after a day of work I wanted to do a simple exercise that would relax me.

Painting negative shapes with watercolour by tracing a photo of leaves I took, with a cup of tea, some fruit and nut dairy milk and listening to the sounds of a thunderstorm as my background music.

By calming my breathing, I lit my favourite smelling candle and just allowed myself to be, trying not to think about what needed doing in the house or other work I could be doing, figuring out ways I could possible multitask to get the maximum efficiency from the moment. Giving myself permission for the next 2 hours to experience something I really enjoyed felt really liberating, like I was treating myself. It reminded me of the feeling I go when I visited a city with no plans other then to be and just taking in the sights around me.

It was a really nice feeling to have on a Thursday evening.
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So now it’s been about an hour and I’m feeling very frustrated. My brain won’t take each step slowly, so I keep messing up the watercolour washes as I rush to get it finished. I’m trying to have that feeling of satisfaction when it’s all completed and looks awesome before it’s been finished. Currently it just looks like random splotches on some paper and i can’t see where I need to go next with it. I haven’t used watercolour like this for about 2 months and normally it’s just simple washes over pencil. I used to do complicated pieces but it looks like I’m no longer at that level…

It’s uncomfortable to see where my skills currently are with watercolour, it’s not what I had planned for this evening to be about but I will still accept it. If I want to improve, I need to see where I’m currently standing to know what needs improving!

So, my times up, it’s Thursday so I need to get a decent amount of sleep before work tomorrow. Inorder to ease my frustration I have gotten my watercolour books out and found one that focuses on layering washes. Tomorrow night I will work through the beginning exercises. I will breath, calm down and allow myself to be a beginner again.

Watercolour Architecture – Using digital software to plan a traditional painting

July 31, 2016October 11, 2016Leave a comment

As an artist, i’m happy to use any tools that help me create my artistic vision. Over the centuries artists have been pretty amazing at creating simple tools to translate the incredibly complex world around them. The viewfinder is a perfect example of this, as is the plumbline: a rectangle with a hole in it and a piece of string with a weight on the end. Awesome.

But, the user still needs to understand the proces of using these simplistic tools. If you don’t understand the idea of negative shapes or how to find a good composition, a viewfinder is not going to make you an artist. It’ll make you into someone looking at the world through the hole in a rectangle.

Digital tools come under this same class for me, although I appreciate they are more complicated to work at times then the trusty viewfinder. For my most recent paintings of Kedleston Hall I wanted to focus on the architecture and how light plays off the different planes of the building. I didn’t want to just draw a fancy house, I wanted to add my own creative flair and vision to what I saw.
So, I kept my colour palette simple. Like, really simple. Three colours in total to create each painting, which would keep things nice and harmonious so I could concentrate on the interesting compositions instead.

In photoshop I adjusted a reference photo to play with tonal contrast and composition, the best way I find to do this is when it’s in black and white. Then I go back to the original photo and play around with colour. This helps me visualise lots of different combinations. Doing it digitally like this is a lot faster then trying to do it with traditional mediums, plus I can tweak them cleanly. The last image above has been pixelated so its easier to focus purely on the range of colours and no the compositions details.

Once I have my colours sorted, I can then choose which colours to have in my palette. From there I do a small mock up to help me figure out the best way to apply them and to get me used to mixing the colours. Then, when I come to create the final painting, i’ve already done all my prep so a lot of the stress has been taken away and I can relax and enjoy the painting process.

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Derby Museums Exhibition: EVERYONE

July 27, 2016July 24, 2016Leave a comment

Derby Museum and Gallery did a call out for artworks responding to the theme EVERYONE – Your place in the world. I have never responded to an artist call out before and I felt that this would be a lovely starter exhibition to enter.

As I want to develop my place to be outside painting, I chose an area of Derbyshire that I particularly liked, Dovedale in Ilam and created a design from a photo I recently took there. Obviously lots of deep thought going on for the idea behind this piece! Sometimes it’s nice just to paint your view of a place, which is what I set out to do here.

I sketched two designs first to give myself some practice and generate how I wanted the scene to look. The top once was too cold but quite cold to the actual colours, and the bottom one was a tad too psychadelic but I liked the idea of addng characters to the composition to give the view someone to connect to. I then sketched the design onto canvas! I’ve included below my rouch sketchbook pages to see the process i went through. Nothing very complicated but it helped to get my thoughts in order and I could figure out what colours mixed well with others and how I could eliminate other colour options that would ruin the balance of the piece.

I used Gouache as my medium as i’m used to watercolours but I want to learn more about how to layer opaque paints, making Gouache the perfect middle ground. They were very easy to wipe off though at the beginning when I was adding new layers but eventually I got my under painting to how I wanted the colour structure to go.

From there I just kept on refining the detail! I wish I had a good reference for a person in this kind of light but ended up having to work from memory and imagination ( dangerous combo when trying to get things looking realistic! ) and the final piece didn’t look too odd thankfully. I used some interactive acrylics for some colours I couldn’t make with my Gouache and for some of the whites.

Walk Draw Explore

Tag: Painting